Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site ucla-cs.ARPA Path: utzoo!watmath!clyde!burl!ulysses!gamma!epsilon!zeta!sabre!petrus!bellcore!decvax!tektronix!hplabs!sdcrdcf!trwrb!trwrba!cepu!ucla-cs!reiher From: reiher@ucla-cs.UUCP Newsgroups: net.movies Subject: Re: Pee Wee Hermans Big Adventure Message-ID: <6683@ucla-cs.ARPA> Date: Tue, 27-Aug-85 14:22:53 EDT Article-I.D.: ucla-cs.6683 Posted: Tue Aug 27 14:22:53 1985 Date-Received: Sun, 1-Sep-85 13:25:05 EDT References: <11094@rochester.UUCP> Reply-To: reiher@ucla-cs.UUCP (Peter Reiher) Organization: UCLA Computer Science Department Lines: 19 Summary: Comparing Pee Wee Herman to Chaplin and Keaton is overdoing it more than a bit. Chaplin and Keaton were incredibly imaginative physical comedians. Herman has a much more limited repetoire. There isn't a single sequence in his film which matches up with even second rate Chaplin and Keaton. There is also the fact that, unlike those comedians, Herman's comic persona is intentionally grating if one does not have the proper taste to appreciate it. (I, for one, don't.) I have never heard of anyone being irritated by Keaton's comic persona, or even Chaplin's. (The irritation with Chaplin usually comes over his sentimentality.) For those who haven't seen them, I suggest watching the great silent comedians (Chaplin, Keaton, Harold Lloyd, Langdon, and Laurel and Hardy; to a lesser extent, Fatty Arbuckle, Charlie Chase, the films of Mack Sennett, and Mabel Normand) for yourselves. You will discover why the 1910s and 1920s were the golden age of screen comedy. -- Peter Reiher reiher@LOCUS.UCLA.EDU {...ihnp4,ucbvax,sdcrdcf}!ucla-cs!reiher