Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site gymble.UUCP Path: utzoo!watmath!clyde!burl!ulysses!gamma!epsilon!zeta!sabre!petrus!bellcore!decvax!genrad!panda!talcott!harvard!seismo!lll-crg!gymble!dday From: dday@gymble.UUCP (Dennis Doubleday) Newsgroups: net.music.classical Subject: Re: Tone poems Message-ID: <286@gymble.UUCP> Date: Mon, 26-Aug-85 12:03:10 EDT Article-I.D.: gymble.286 Posted: Mon Aug 26 12:03:10 1985 Date-Received: Wed, 28-Aug-85 02:58:46 EDT References: <478@petrus.UUCP> Reply-To: dday@gymble.UUCP (Dennis Doubleday) Distribution: net Organization: U of Maryland, Laboratory for Parallel Computation, C.P., MD Lines: 10 Summary: Shostakovitch's war-time symphonies In article <478@petrus.UUCP> karn@petrus.UUCP (Phil R. Karn) writes: >I'm not sure if Shostakovitch would qualify; in my mind his middle >symphonies conjure up vividly effective images of the horrors of a nuclear >war, but knowing ahead of time that he wrote them during The Great Patriotic >War tends to color my interpretation. One of the beauties of textless music is that it can inspire widely differing associations in the minds of listeners. It doesn't seem too likely, though, that Shostakovitch, writing during WWII, intended to evoke images of nuclear war!