Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.3 4.3bsd-beta 6/6/85; site well.UUCP Path: utzoo!watmath!clyde!burl!ulysses!gamma!epsilon!zeta!sabre!petrus!bellcore!decvax!genrad!panda!talcott!harvard!seismo!lll-crg!well!rchrd From: rchrd@well.UUCP (rchrd = Richard Friedman) Newsgroups: net.music.classical Subject: Re: Tone poems Message-ID: <161@well.UUCP> Date: Mon, 2-Sep-85 00:26:59 EDT Article-I.D.: well.161 Posted: Mon Sep 2 00:26:59 1985 Date-Received: Wed, 4-Sep-85 05:15:34 EDT References: <478@petrus.UUCP> <472@olivee.UUCP> Distribution: net Organization: Whole Earth 'Lectronic Link, Sausalito, CA Lines: 21 In article <472@olivee.UUCP>, greg@olivee.UUCP (Greg Paley) writes: > > I feel that ultimately music makes its own expression which is > independent of either verbal or visual means of communication. It > "says something" that cannot be said by any other means, although > a visual object or a literary work can provide the initial stimulus > to a composer. > True. But some composers do a very good job of mimicing nature, or the human sounds around us. Immediately comes to mind: Lark Ascending, by R.Vaughan-WIlliams (which greatly impressed an ornithologist friend of mine who studies bird songs) Arcana, by Edgard Varese (urban sounds) -- [rchrd] = Richard Friedman Pacific-Sierra Research, 2855 Telegraph #415 Berkeley, CA 94705 (415) 540 5216 UUCP: {dual,hplabs,ptsfa,apple}!well!rchrd