Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site pucc-h Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!ihnp4!inuxc!pur-ee!CS-Mordred!CS-Arthur!pucc-h!ach From: ach@pucc-h (Stephen Uitti) Newsgroups: net.music.synth Subject: Re: comparison of DX-7 w/ Mirage Message-ID: <2246@pucc-h> Date: Wed, 4-Sep-85 11:40:29 EDT Article-I.D.: pucc-h.2246 Posted: Wed Sep 4 11:40:29 1985 Date-Received: Sun, 8-Sep-85 04:31:32 EDT References: <10246@ucbvax.ARPA> Reply-To: ach@pucc-h.UUCP (Stephen Uitti) Organization: Purdue University Computing Center Lines: 69 Summary: In article <10246@ucbvax.ARPA> rosen@ucbvax.ARPA (Rob Rosen) writes: > > > I am considering purchasing either one of the abovementioned machines. >The DX-7 has gotten good reviews for its voices, but does not have digital >sampling capability. I'd like to know how any current Mirage owners feel >about their machines; is it worth purchasing over a DX-7 merely because of >the presence of its sampler? Is it easy to use? What's the sampling rate? >How do the factory disks sound? Is the on-board sequencer any good? Is >there any market for used instruments? How about factory support? Has >anyone MIDI'd a Mirage to a hardware sequencer such as the MSQ-700? I just purchased a DX-7. I bought it to double with my Prophet T8. I'm not impressed with the Mirage. I've heard one reasonable sound on it: an "orchestral hit". The trouble with the mirage (in my humble opinion) is that the recording quality is that of a dirty 45 RPM record. The "orchestral hit" (a factory sound, I think) was OK mainly because there was so much going on in the sound, and it was over before you could hear any noise. The DX-7 does good with "bells and whistles". It also comes with a relatively awesome pipe organ and a few other sounds. The DX-7 lists for about 1/3 the Prophet T8, and is (to me) worth about that much, which is plenty. Being an FM machine, the DX-7 does things that are difficult for my T8 to do (which is analogue based). Conversly, there are many sounds that are easy to do on the T8 that are a pain on the DX-7 (such as really thick strings and brassy sounds). Incidently, I've played with a Yamaha TX-7 (DX-7 in a box - no keyboard). If you have a keyboard with MIDI, and the factory preset sounds are all you want, it should be ok. If you want to be able to create or modify sounds, you need a DX-7 (at present). > My idea is to purchase only three items and have hopefully enough >equipment to make quality recordings -- I think a good digital synth, >a good multitrack sequencer with a lot of memory, and a 4-track deck like >the Tascam would do the job. The idea is to use the sequencer to store >maybe 16 tracks of a song, and then dump it to one track of the tape. >Then I'd record the drums and cymbals on another 16 tracks of the seq. >and dump THAT to the second track of the tape, etc. Digital sampling >seems to be the way to go to get a really good drum sound, which is what >I consider to be pretty important. No comment on multi-track recording. If you want really good drum sounds, buy a drum machine! If you want truely awesome drum sounds (and are perhaps made of money), get a Lynn. The Lynn 9000 has one of the nicer MIDI sequencers available, and apparently has "multi-track" capabilities. Remember that most analogue synths are MUCH easier to program (sounds) than digital ones. My T8 has a knob for everything (which is getting rare these days), and, for example, changing an envelope to "just right" for a particular song can take as long as a minute. Often, I don't bother to save the edited sound, since I can always recreate it. On the DX-7 (which I've only had for a couple weeks), it still takes me up to a half hour to make such a mod. First step is usually to get out a pencil and paper. Analogue machines are much easier to learn to use. My T8 will ALWAYS sound richer than my DX7 (not for lack of trying on the DX-7). > > Also, have any Mirage owners used any of the IBM PC software that's >availible? Is it worth a damn? > > > thanks for your input... > > ps--- AKAI has apparently come out with a sampler that'll work with > a DX-7 but it runs about $1K. If it comes down to a DX-7 + AKAI, > MSQ-700 and Portastudio, I'll be out a good 5-6 thou or so, which is > a lot!! > > --Rob Rosen > > ...ucbvax!rosen > rosen@ucb-vax.berkeley.edu Steve Uitti, PUCC, pur-ee!pucc-h!ach, or ach@purdue-asc