Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.3 4.3bsd-beta 6/6/85; site topaz.RUTGERS.EDU Path: utzoo!linus!philabs!cmcl2!seismo!columbia!topaz!allison From: allison@mitre.ARPA Newsgroups: net.sf-lovers Subject: Re: Tolkien's dwarf names Message-ID: <3444@topaz.RUTGERS.EDU> Date: Wed, 28-Aug-85 08:42:30 EDT Article-I.D.: topaz.3444 Posted: Wed Aug 28 08:42:30 1985 Date-Received: Fri, 30-Aug-85 01:18:42 EDT Sender: daemon@topaz.RUTGERS.EDU Organization: Rutgers Univ., New Brunswick, N.J. Lines: 28 From: Burgess Allison >Funny thing ... each time I read "The Hobbit" it seems that the >dwarf names are silly and invented for their alliteration and >rhyming. The first few times I read the Hobbit I had no idea this was going on, but when I recently read the Hobbit to my 3-1/2 year-old daughter -- out loud -- I found out that the book is *particularly* well suited to that type of reading, and exceptionally well suited for reading to children. The book is broken into fairly discreet 15-30 minute reading segments (if you're reading out loud to a child). The names and words and descriptions are a fascinating combination of alliteration, verbal whimsy, and (in a few instances of what seem sheer spitefulness) tongue twisters. The concepts and conflicts presented in the Hobbit are also well within the ken of even *very* young children. My daughter enjoyed it, got a lot out of it, remembers it, and (I suspect) will get more and more out of it when she reads it again -- on her own. I have no doubt that the dwarf names were, indeed, invented for their alliteration and rhyming. And I, for one, can see why it was done that way. Burgess Allison