Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.3 4.3bsd-beta 6/6/85; site topaz.RUTGERS.EDU Path: utzoo!watmath!clyde!cbosgd!cbdkc1!desoto!packard!topaz!CAIN From: CAIN@SRI-AI.ARPA Newsgroups: net.sf-lovers Subject: Book of Kells Message-ID: <3485@topaz.RUTGERS.EDU> Date: Fri, 30-Aug-85 12:21:30 EDT Article-I.D.: topaz.3485 Posted: Fri Aug 30 12:21:30 1985 Date-Received: Sat, 31-Aug-85 08:55:38 EDT Sender: daemon@topaz.RUTGERS.EDU Organization: Rutgers Univ., New Brunswick, N.J. Lines: 23 From: Ron Cain *** Mild spoiler warning *** Though I can't claim to know how the real Book of Kells figured into the opening of the time portal, I rather suspected that its opening had more to do with the peculiar intricasies of Celtic knotwork. There have been theories (as yet unproven with any real rigor) that the ancient Celtic knotwork (with which the BOK's illuminated manuscripts abound) were a form of musical notation. The connection between music and the spirals was always quite clear in the book. Hence, the opening of the time portal was not so much due to the cross John was tracing, but the geometry of the spirals themselves. A subtle but crucial point about the green portal opened in the height of the final battle is that John was fingering the knotwork around the band of his hat at the time -- once more making the connection. Just my ideas, of course. ... ron cain -------