Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2.fluke 9/24/84; site vax4.fluke.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!vax135!cornell!uw-beaver!fluke!moriarty From: moriarty@fluke.UUCP (Henry Vogel) Newsgroups: net.comics Subject: MORE JOYS OF PUBLISHING BY HENRY VOGEL Message-ID: <2716@vax4.fluke.UUCP> Date: Thu, 26-Sep-85 12:25:45 EDT Article-I.D.: vax4.2716 Posted: Thu Sep 26 12:25:45 1985 Date-Received: Sun, 29-Sep-85 06:38:56 EDT Distribution: net Organization: Posting via Moriarty Lines: 84 ***************************************************************************** MORE JOYS OF PUBLISHING - OR OOPS, THERE GOES ANOTHER DEADLINE! Ever wonder why some comic books are late? Especially alternative books? There are lots of reasons and I thought I'd share some of the ones I've run into recently with the Southern Knights. As the writer, creator, owner, etc. of the Knights, I am quite dedicated to the book and will make personal sacrifices to make sure it gets out on time. Un- fortunately my pencillers, inkers, and colorist (for the cover - we're still b&w) don't seem to feel the same way. How many of you out there are waiting for SK#10? Come on, raise your hands... I said raise your hands!... Oh, never mind. As you may know, #10 is late. SK#8 was late. SK#9 was actually close to on time but only because #8 was so late. Why are they so late (didn't I ask that ques- tion earlier)? Well, believe it or not, #8 was late because of the printer! For reasons known only to him, Dave Kraft sent #8 to a printer he'd never used before. The printer had the entire book IN HIS HANDS by mid-December. The book came out in April. Why? I wish I knew. The printer just sat on. Didn't even bother to deal with it. AND he lied about that! This same printer was printing Northguard, a b&w book done in Canada (the printer is also in Canada). North- guard and the Knights were supposed to ship together thereby saving both of us a few bucks in shipping costs. The Northguard people were right there and they knew the guy had their book but wasn't printing it. He kept telling them that he didn't have OUR book and meanwhile never returned any of Dave Kraft's phone calls. Eventually, Dave called the people at Northguard to ask them if they knew what was going on. Once they compared notes, the fesces really struck the air movement device and the books got printed. IF #8 had come out on time, #9 would have been late. Why? Our penciller, Chuck, found out that #8 was behind schedule so he slacked off. We got #9 two months after #8, but just barely! Then, number was held up badly because Chuck just didn't work on it. He drew 22 pages for the book and it took him 3 months to do it! Then he claimed the inking was bad in places and wasted another 3 weeks "correcting" the mistakes. *I* couldn't tell that anything had been changed... Of course, that was nothing compared to what happened next with #10. The cover was sent to Steve Howard, our (former) colorist. He said he could get it to us in a week. It took 4 weeks. Unfortunately, there was a minor problem with the cover and Dave sent it back to Steve to correct. It should have taken him no more than an hour to fix. He had the cover for 2 months. When we finally got it back from him, he had done more than just "minor" changes. It wasn't the best cover in the world to begin with, but when he finished with it it was worthless! As of right now, we have what was supposed to be the cover for #12 being readied as quickly as possible to appear on #10. I still don't know when it will be out... Of course, this means that #11 will be on time... Even though it took Chuck the ENTIRE summer to pencil it and the inker still hasn't finished inking it! On top of that, since completing #11, I haven't seen a sinlge page from Chuck even though he's had the plot for #14 (Mark Propst is doing #12 and #13) for well over a month. Needless to say, this is VERY frustrating! Unfortunately we can't afford to pay our artist enough money to insure the kind of dedication we need. Still, they knew the situation when they agreed to do the work... I know this sounds like I'm griping, and I admit that I am. However, I haven't made nearly the amount of money our artists have made on the book (yes, our profit margin is that low)! It's frustrating that I have to put my creation into the hands of "outsiders" because I don't have the talent to draw the book myself. Anyway, that's why the Southern Knights miss so many deadlines. This will not remain the case for long, though. Kraft wants us to go monthly and we're going to have to have an artist who is willing to put forth the effort to let us do so. I don't know whether this will call for a change in artists - I hope not since I work well with Chuck (discounting his pencilling speed, that is). I hope you've enjoyed this look inside small press publishing. I'll try to make my next posting on the Joys of Publishing a little less gripe-filled (although it sure feels good to get this out of my system). Let me close with a recommendation. Check out 'Mazing Man #1 from DC! I really like this book and can hardly believe it is being put out by one of the Big Two. DC should be congratulated for publishing something as out of the norm as this! That's all for now! Henry Vogel P.S. If you have any questions about self publishing, relay them to me through Jeff Meyer at: ARPA: fluke!moriarty@uw-beaver.ARPA UUCP: {uw-beaver, sun, allegra, sb6, lbl-csam}!fluke!moriarty Brought to you by Super Global Mega Corp .com