Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version Tektronix Network News Daemon (B 2.10.2 based); site tektronix.UUCP Path: utzoo!watmath!clyde!cbosgd!ihnp4!mhuxn!mhuxr!mhuxt!houxm!vax135!cornell!uw-beaver!tektronix!kurtk From: kurtk@tektronix.UUCP (Kurt Krueger) Newsgroups: net.graphics Subject: Re: Solarization and Posterization Message-ID: <5750@tektronix.UUCP> Date: Tue, 24-Sep-85 16:12:46 EDT Article-I.D.: tektroni.5750 Posted: Tue Sep 24 16:12:46 1985 Date-Received: Sat, 28-Sep-85 05:06:23 EDT References: <6700033@datacube.UUCP> <2227@ukma.UUCP> Reply-To: kurtk@tektronix.UUCP (Kurt Krueger) Organization: Tektronix, Beaverton OR Lines: 15 Solarization is, as has been stated, the exposure of a partially developed print or negative to light. The reason that it works is that the silver's sensitivity to light changes depending on how much density (i.e. how black it is) has been built up. I don't know why. It has also been my experiance that is works better with negatives than with prints. Posterization is the quantization of grey scale, color etc. A posterized b&w print has a finite number of grey tones, rather than a continuous tone. I've been told that posters (you know, those large printed pictures) can be made this way. It is a trade off between resolution and grey scale. You can either get your grey scale by doing a half tone representation (and create a grainey picture) or by quantizing the grey scale (no grain, sharp edges, but limited grey scale). Brought to you by Super Global Mega Corp .com