Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.3 4.3bsd-beta 6/6/85; site amdcad.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxt!houxm!vax135!petsd!pesnta!amd!amdcad!linda From: linda@amdcad.UUCP (Linda Seltzer) Newsgroups: net.flame,net.music,net.music.classical Subject: Re: Background music pollution Message-ID: <5287@amdcad.UUCP> Date: Wed, 23-Oct-85 21:52:15 EDT Article-I.D.: amdcad.5287 Posted: Wed Oct 23 21:52:15 1985 Date-Received: Fri, 25-Oct-85 02:36:40 EDT References: <1227@ihuxe.UUCP> <771@rduxb.UUCP>, <1552@hammer.UUCP> <500@scirtp.UUCP> Organization: AMDCAD, Sunnyvale, CA Lines: 6 Xref: watmath net.flame:12464 net.music:9807 net.music.classical:1428 Summary: And who gets royalties for Muz.. And why do none of the famous musicians complain about it? If Muzak adapts a tune by, for example, the Beatles, or by Stevie Wonder, or by Leonard Bernstein (West Side Story), then the composer receives a royalty not for every tape, but for every PERFORMANCE. Each time the recording is played in any store the composer gets a royalty. Many musicians become quite wealthy because of the adaptations of their songs.