Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site harvard.ARPA Path: utzoo!watmath!clyde!burl!ulysses!allegra!mit-eddie!genrad!panda!talcott!harvard!tomczak From: tomczak@harvard.ARPA (Bill Tomczak) Newsgroups: net.movies Subject: Re: Keaton, Sennett, etc. Message-ID: <419@harvard.ARPA> Date: Sat, 12-Oct-85 22:38:01 EDT Article-I.D.: harvard.419 Posted: Sat Oct 12 22:38:01 1985 Date-Received: Mon, 14-Oct-85 05:58:04 EDT References: <695@decwrl.UUCP> <395@harvard.ARPA> <7022@ucla-cs.ARPA> Reply-To: tomczak@harvard.UUCP (Bill tomczak) Organization: Aiken Computation Laboratory, Harvard Lines: 20 In article <7022@ucla-cs.ARPA> reiher@ucla-cs.UUCP (Peter Reiher) writes: >misunderstandings are a common basis for comedy, going back to the Greeks >and forward through Shakespeare all the way up to today. I can't say that >the silent comedians were any fonder of this device than any other group, >though. Now, Jackie Gleason and Lucille Ball relied on this very very >heavily, back in the Golden Age of TV comedy, but that isn't nearly the >same thing as the Golden Age of Film Comedy. Well, I've spent the last half hour trying to remember specifics. I really wanted to respond with some kind of documentation on this. Unfortunately, I saw those films over a year ago and couldn't come up with enough facts to back me up. I guess I'll have to watch more of the 20's silents a little more consciously in this regard. Sorry, I'm a lousy researcher. I was only left with some vague impressions that somehow struck me as significant. (I don't THINK I was doing any drugs.... but I forget....) Bill Tomczak@harvard.{ARPA, UUCP}