Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site ucla-cs.ARPA Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxn!ihnp4!qantel!hplabs!sdcrdcf!ucla-cs!ampe From: ampe@ucla-cs.UUCP Newsgroups: net.movies Subject: Mishima Message-ID: <7095@ucla-cs.ARPA> Date: Sun, 13-Oct-85 02:03:06 EDT Article-I.D.: ucla-cs.7095 Posted: Sun Oct 13 02:03:06 1985 Date-Received: Tue, 15-Oct-85 11:42:25 EDT Reply-To: ampe@ucla-cs.UUCP (John Ampe) Distribution: net Organization: UCLA Computer Science Department Lines: 24 No one has mentioned MISHIMA yet, so I will write a few notes about it. I thought it was a great movie; quite a refreshing change from the Hollywood formula; although backed by some of the biggest names in Hollywood. MISHIMA of a mosaic film biography of Japan's most prolific and respected post-war novelist, who, on November 25, 1970, held a Japanese army general hostage while he addressed the garrison, then committed ritual suicide. The film interweaves the events of November 25th with flashbacks from Mishima's life, and scenes from his novels. The flashback scenes are black-and-white, while the November 25th and novel scenes are in color. Dialogue is in Japanese with English sub- titles, with some English narration by Roy Scheider. MISHIMA is directed by Paul Scrader, and stars Ken Ogata. Music is by Phillip Glass. It is written by Paul Scrader and Leonard Schrader, and pro- duced by Mata Yamamoto and Tom Luddy. The executive producers are George Lucas and Francis Coppola. The sound track album by Phillip Glass is available and is also quite fine. Let's hope that MISHIMA has some success at the box office; Hollywood may then become a little more adventurous in supporting alternative film.