Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site mit-eddie.UUCP Path: utzoo!linus!philabs!cmcl2!harvard!think!mit-eddie!nessus From: nessus@mit-eddie.UUCP (Doug Alan) Newsgroups: net.music Subject: Re: the cutting edge of rock music Message-ID: <75@mit-eddie.UUCP> Date: Sun, 13-Oct-85 03:27:08 EDT Article-I.D.: mit-eddi.75 Posted: Sun Oct 13 03:27:08 1985 Date-Received: Tue, 15-Oct-85 05:41:28 EDT References: <605@tellab1.UUCP> <25@mit-eddie.UUCP> <629@tellab1.UUCP> Organization: MIT, Cambridge, MA Lines: 53 > From: barth@tellab1.UUCP (Barth Richards) > I could have listed many more artists that I happen to like (some of > which you just mentioned) but I tried to think of artists that were > undisputable "out on the edge". Well, there are lots of people who I like too, who I don't necessarily think are on the cutting edge. But I don't think you have to be flipped out avante-guarde to be on the cutting edge. In fact, I feel a lot of "avante-guarde" music isn't on the cutting edge, just because it falls *so* neatly into the class "avant-guarde". > Peter Gabriel is excellent but largely accessible (although being > experimental and accessible at the same time may be qualification for > the list in itself!) People like Peter Gabriel and Kate Bush, I feel are definitely on the cutting edge. (In fact, the most important cutting edge.) They may not always fall neatly into the class "avante-guarde", but they are definitely powerful innovators, and are cutting new paths in music rather than just perfecting old ones. They may tend to use a lot of knowledge that already exists about music, rather than just throwing away the book, like a lot of avant-guarde musicians do, but that's probably an even better approach. It means I can relate to it (because how music is perceived is largely a cultural phenomenon), rather than just saying, "Hmmmm, that's interesting". Distortion of what you already know is much more powerful emotionally than things totally new. Just ask any surrealist. > others have done what the Art Bears did, both before and after.(After > all, the Art Bears was largely a continuation of Henry Cow.) Who? The Art Bears don't sound like Henry Cow to me (even though they have a couple of the same people). > Mission of Bhurma was excellent (they have broken up, haven't they?), > but didn't necissarily cut any new trails. Yes they did. Yes they did. > (Well, maybe a few.) Nash The Slash is definately avant-garde, but > maybe not on the absolute cutting edge. Well, what's the "absolute" cutting edge? And is that the best place to be? I feel that even Roy Harper is subtlely on the cutting edge, and he does something you might call "folk rock", but he's always doing stuff that's very different from others. "And if you're coming -- jump 'coz we're leaving with the Big Sky" Doug Alan nessus@mit-eddie.UUCP (or ARPA)