Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site harvard.ARPA Path: utzoo!linus!philabs!cmcl2!seismo!harvard!sasaki From: sasaki@harvard.ARPA (Marty Sasaki) Newsgroups: net.rec.photo Subject: Re: automatic processing? Message-ID: <421@harvard.ARPA> Date: Mon, 14-Oct-85 03:00:06 EDT Article-I.D.: harvard.421 Posted: Mon Oct 14 03:00:06 1985 Date-Received: Tue, 15-Oct-85 07:29:49 EDT References: <11900002@uicsl> <734@sfmag.UUCP> Reply-To: sasaki@harvard.UUCP (Marty sasaki) Organization: Harvard Science Center Lines: 49 As mentioned here, almost all of the discount places use the same automagic processing and printing machines which should mean that you get good results from everyone. Along with problems with keeping the machines tuned up and with keeping things clean, there is the problem of replenishment of chemicals. It turns out that rather than using the processing chemicals only once, they can be reused again and again. In order to restore the potency of the chemicals, replenishers are added. The quantity of replenisher, as well as when they should be added, is determined using tests. There is also a limit to how many times you can replenish before having to dump all of the chemicals. A Southern California processor was well known for pushing these limits. They would run a few extra batches through before dumping the chemicals. Since making the tests and adding the replenishers are time consuming (apparently you need to stop the machines to add replenisher) they would increase the interval between adding replenisher. In order to make up for using up more of the chemistry, they would add extra in the beginning so that the last few rolls wouldn't be so bad. There were also rumors that the processing temperature was increased, shortening processing times, and allowing more prints/rolls of film to be processed in a given amount of time. Of course this playing with processing means that the color balance could be off wildly, or off just a little bit, depending on how lucky you were. Not all labs use such machinery though. One of my classmates at school worked one summer in a "professional" processing lab. His job was to load the film onto reels. (Imagine sitting in a dark room for hours at a time loading stainless steel reels.) He would place the reels onto racks which were then lowered into large tanks. Agitation took place by bubbling a burst of nitrogen through tubes on the bottom of the tank. For the price, I think that Kodak can't be beat (assuming we are talking about Kodak film) for processing. I send all of my color material to them. The only thing that I don't like is that I get my negatives cut up into two and three frame pieces which are hard to handle, and don't always fit neatly into my negative pages. -- ---------------- Marty Sasaki net: sasaki@harvard.{arpa,uucp} Havard University Science Center phone: 617-495-1270 One Oxford Street Cambridge, MA 02138