Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site brl-sem.ARPA Path: utzoo!linus!philabs!cmcl2!seismo!brl-tgr!brl-sem!ron From: ron@brl-sem.ARPA (Ron Natalie ) Newsgroups: net.rec.photo Subject: Re: automatic processing? Message-ID: <431@brl-sem.ARPA> Date: Tue, 15-Oct-85 23:46:28 EDT Article-I.D.: brl-sem.431 Posted: Tue Oct 15 23:46:28 1985 Date-Received: Thu, 17-Oct-85 20:29:47 EDT References: <11900002@uicsl> <734@sfmag.UUCP> <421@harvard.ARPA> Organization: Ballistic Research Lab Lines: 21 > For the price, I think that Kodak can't be beat (assuming we are > talking about Kodak film) for processing. I send all of my color > material to them. The only thing that I don't like is that I get my > negatives cut up into two and three frame pieces which are hard to > handle, and don't always fit neatly into my negative pages. > -- Don't kid yourself if you think that Kodak doesn't use the same automatic processing for the run of the mill color prints. We've gotten some cute double exposed prints from them which could only have happened from auto- matic processors without a whole lot of human quality control. Even, the custom printing from Kodak entails an automatic exposure/color balance device that has come up with some really bizarre color corrections with respect to the original automatically produced prints. At least with the Kodak prints, you can keep sending them back until they get the color/cropping etc correct. I'm still waiting for the day when their stupid "Processed by Kodak" brand that they expose into my negatives/transparencies accidentally shows up in an image. -Ron