Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site lanl.ARPA Path: utzoo!watmath!clyde!bonnie!akgua!whuxlm!harpo!decvax!ucbvax!ucdavis!lll-crg!seismo!cmcl2!lanl!crs From: crs@lanl.ARPA Newsgroups: net.women Subject: Re: handwriting Message-ID: <31656@lanl.ARPA> Date: Wed, 9-Oct-85 12:08:09 EDT Article-I.D.: lanl.31656 Posted: Wed Oct 9 12:08:09 1985 Date-Received: Sat, 12-Oct-85 18:56:49 EDT References: <178@drutx.UUCP> Organization: Los Alamos National Laboratory Lines: 47 > Actually, I would go further and say that people with bad handwriting, both > men AND women, may be less conformist. Penmanship is one of the most > constricting subjects that children are taught--at least it was to me. > All that practice at making perfect loops seemed so stupid. A lot of drill > to try and make everyone do something exactly the same. Yuck. I guess I believed some version of this when when they wanted *me* to practice all those loops and stuff. (I go back to the Palmer Method; anyone remember the Palmer Method?) I don't know that I believe it now. I even wish now that I had practiced more because the Palmer Method was capable of producing writers with beautiful *legible* handwriting. The reason that I don't now believe that the practice that is required for good handwriting is conducive to conformism and that the effect is to make everyone exactly the same is the same reason that I don't believe that practicing scales causes all musicians to be exactly the same. Of course the attitude and method of the teacher may, in many cases, be more acceptable to more conforming students. Perhaps it would be better if penmanship teachers would explain this to their students (assuming that anyone would listen at that age). Perhaps penmanship teachers should emulate *good* music teachers, who, it seems, are able to get their students to practice all of those nasty scales without making conformists of them. Wouldn't it be boring if all musicians were "exactly the same?" I certainly believe that the interests of good penmanship would be better served if less emphasis were placed on having everyone use exactly the same cursive alphabet. I realize that this simplifies things for the teacher but I believe it *does* alienate those less conforming students. (What I should have said above is that teaching or learning good penmanship *needn't* be an exercise in conformism.) Obviously, the letters & words must be recognizable but they certainly *don't* need to be anything close to identical. In my case, I must admit that my failure to adequately practice the ovals and slants of Palmer Method probably had more to do with laziness and boredom than with non conformism. Though I must also admit that I don't put much effort into conforming either, I don't think that was an issue there. -- All opinions are mine alone... Charlie Sorsby ...!{cmcl2,ihnp4,...}!lanl!crs crs@lanl.arpa