Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 beta 3/9/83; site utecfc.UUCP Path: utzoo!utcsri!utai!uthub!utecfa!utecfc!dennis From: dennis@utecfc.UUCP (Dennis Ferguson) Newsgroups: net.text Subject: Re: Hyphenation, Re: Why Hyphenate Message-ID: <46@utecfc.UUCP> Date: Sun, 1-Dec-85 16:37:32 EST Article-I.D.: utecfc.46 Posted: Sun Dec 1 16:37:32 1985 Date-Received: Sun, 1-Dec-85 21:32:12 EST References: <471@harvard.ARPA> <773@mmintl.UUCP> <734@tpvax.fluke.UUCP> <731@othervax.UUCP> Reply-To: dennis@utecfc.UUCP (Dennis Ferguson) Distribution: net Organization: Mechanical Engineering, University of Toronto Lines: 52 Summary: In article <731@othervax.UUCP> ray@othervax.UUCP (Raymond D. Dunn) writes: >Having worked for seven years for a developer/manufacturer of >typesetting and other equipment for both the newspaper and general >graphics arts industries, I would like to add my two cents worth. > >It is interesting to note that the graphic *arts* industry is one >which has retained the concepts of style and attention to detail, and >has laudably forgone the all too commonly seen solution of making do >with what automation can provide "easily". ... >Hyphenation is generally (correctly) regarded as a "Bad Thing". >Unfortunately, it is necessary when meeting the other (subjectively >more important) objectives of layout and style. These in general >conform to the rule that, when glancing at a typeset page or >paragraph, one's eyes should not be drawn automatically to any place >not specifically intended by the typographer. In general, although >specific parts of the text may be harder to read, a "noisy" page is >regarded as being more difficult to read overall, than a "quiet" one. > >Any arguments in this context, for and against hyphenation in >general, and concering justification/ragged-right, are specious. >They fall into the category of "I like/hate Picasso". Certainly >there is room for other styles, and we must provide technological >solutions for *all* of them. If this is true, I find the divergence of the `subjective' opinion of the graphics arts industry concerning what looks prettier on the page with the objectively-established opinion of the scientific community concerning what is easier to read quite interesting. I spent several years working in a psychology lab for a professor whose research interests included the acquisition of written language. Our own work, which involved the evaluation of readability of text by the analysis of eye movement data, concurred with the great body of existing experimental measurements of such things as understanding, retention and speed of reading of written language in showing that text was most easily and efficiently read when it was unhyphenated and unleaded, with a ragged right. In fact, during the period I worked there, the professor was involved with the organization of a conference devoted to the topic. The proceedings, which he editted, were typeset entirely in this form, with the right ragged. While my memory is dim, I recall that the original reason for right justification was technical. Early printing presses, the kind with actual lead type, required that the text be set in a square block to keep even pressure over the paper to prevent slippage of the paper and consequent smearing of the right-hand ends of long lines. While the technical reasons for right justification have long since disappeared, I guess old habits die hard. --- Dennis Ferguson ...!{decvax,ihnp4}!utcsri!utecfc!dennis