Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.3 4.3bsd-beta 6/6/85; site ucbvax.BERKELEY.EDU Path: utzoo!decvax!ucbvax!laser-lovers From: coderre@DSSDEV.DEC (Plaid poindexter barbats--Zippy) Newsgroups: mod.computers.laser-printers Subject: ATEX/AKI, and what it means to you Message-ID: <8512271914.AA26630@decwrl.DEC.COM> Date: Fri, 27-Dec-85 13:47:41 EST Article-I.D.: decwrl.8512271914.AA26630 Posted: Fri Dec 27 13:47:41 1985 Date-Received: Sat, 28-Dec-85 14:15:45 EST Sender: daemon@ucbvax.BERKELEY.EDU Organization: The ARPA Internet Lines: 43 Approved: laser-lovers@washington.arpa Atex (a division of Kodak) is a medium-sized, somewhat matured startup firm that produces big newspaper-oriented composition systems (i.e. the whole shebang down to custom terminals, and not "general-purpose" but dedicated). Once upon a time they hired another company (AKI -- Automix Keyboards Inc) to turn their great big "city newspaper"-style system into a smaller "type shop" system. Now, the Atex system is truly dedicated: they have their own crazy disk controllers to do HNJ (hyphenate-and-justify) really fast. The terminals have lots of special-purpose keys on them, one labelled "HNJ", so on. The Atex systems are also "connectable", so the Boston Glob and USAYesterday use, like, a "mess" of processors all connected together, transparent to the users. Hot stuff. But just for newspaper/type shop kinds of situations. Now, Atex handles almost every kind of typesetter available, usually very well. The marking system is not WYSIWYG, but rather WYSIwhere-the-line-breaks. They have different rendition modes (bright, underline, reverse, blink, combinations) to indicate type styles. All the newswriter has to know is that bright is bold, underline is italic, etc. Of course, the user can easily redefine these modes as he wants or draw them from a "style file." I work at the MIT student newspaper *The Tech*, and we own an 8-terminal AKI setup. It cost a LOT ($50K