Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/17/84; site think.ARPA Path: utzoo!lsuc!pesnta!pyramid!ut-sally!seismo!harvard!think!craig From: craig@think.ARPA (Craig Stanfill) Newsgroups: net.movies Subject: Re: "Places in the Heart" (SPOILER) Message-ID: <3849@think.ARPA> Date: Wed, 1-Jan-86 12:56:06 EST Article-I.D.: think.3849 Posted: Wed Jan 1 12:56:06 1986 Date-Received: Thu, 2-Jan-86 10:29:41 EST References: <982@ccice5.UUCP> Reply-To: craig@think.UUCP (Craig Stanfill) Organization: Thinking Machines, Cambridge, MA Lines: 36 In article <982@ccice5.UUCP> rdz@ccice5.UUCP (Robert D. Zarcone) writes: > What in the world were her husband and the black who >shot him doing in the church? Why was a Fellini (sp?) ending >thrown onto this HIGHLY predictable film? Throughout the movie there is a strong element of symbolism. Two examples come to mind. The first is the large stone church which shows up at critical points in the film. The church everyone goes to is a small frame structure. However, a large Victorian stone church keeps showing up on distant hills, and sometimes we get closeups of parts of it at particularly critical junctures. I think this use of such a large church building symbolizes the importance of the church in the lives of the characters, even if the building where they worship is small and unpretentious. The second is the broken down automobile full of disposessed people which sits by the roadside until it is wrecked by the tornado. This is symbolic of the difference between the main characters, who confront life's woes, and those who fight back. Finally, we come to the scene at the end of the movie, where most of the characters are present in the small church, taking communion. This is, of course, symbolic of reconciliation in the next world. Sally Field's husband is there, as is the man who accidentally shot him. The black drifter who helped her is there, in spite of having been run out of town, and (I think, but may be wrong) so are the Klansmen who ran him out. Anyway, the movie was never totally realistic; it contained ``Fellini'' touches throughout. It is only at the end that the symbolism comes out and bites you.