Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site ucdavis.UUCP Path: utzoo!watmath!clyde!burl!ulysses!ucbvax!ucdavis!deneb!ccrdave From: ccrdave@ucdavis.UUCP (Lord Kahless @ Imperial Propoganda) Newsgroups: net.startrek Subject: Review: (SPOILER) Pawns And Symbols Message-ID: <502@ucdavis.UUCP> Date: Mon, 23-Dec-85 21:42:20 EST Article-I.D.: ucdavis.502 Posted: Mon Dec 23 21:42:20 1985 Date-Received: Wed, 25-Dec-85 01:52:51 EST Distribution: net Organization: University of California, Davis Lines: 55 Review of "Pawns And Symbols" Lord Kahless Imperial Propoganda We have all seen Star Trek novels which introduce one female character, who then proceeds to be romanced by a personality from Star Trek. Examples of this genre are "Vulcan!," in which Spock becomes a Peeping Tom, and "The Wounded Sky," where Scotty falls for a Jelly Fish. While I had hoped for more from Majliss Larson's "Pawns and Symbols," I didn't get it. Here, our female gets to have sex with Commander Kang. The plot seems to be taken out of a 19'th century or Harlequin romantic novel. Kang rescues Jean Czerny, a Federation Ag specialist assigned to Sherman's Planet. She was supposed to give the Empire a new version of quadrotriticale, to help alleviate a famine in the Empire, but she conveniently has some sort of amnesia that prevents her from remembering that she is supposed to turn over the grain. Instead, she is whisked off to a magical Klingon Empire in which everyone speaks perfect English. In short, we have lots of action, but no plot. And that seems to be the main problem with the novel. Lots of action, but much of it is totally unrelated to the plot. I could describe several examples, but the best would have to be the famous episode in which we learn that Klingons can't see the color red. The entire episode has absolutely nothing to do with the central story, but is merely a cheap and unsatisfying filler, like the whipped lard and sugar filling of a Hostess Twinkie. These fillers seem to indicate a story which is quickly written, without enough regard to the basic principles writing. I wonder what grade a Freshman fiction class instructor would give this story, but I doubt it would be good. The story is full of boring technical details and sensory details, but details like the color of every single character's clothing seem trivial amd confuse rather than enhance, pulling us back from feeling the story. Often, the same sentences are repeated over and over again, as if the author was working on a word procesor and kept using the repeat key to fill out the story. For an example of this, look at the second to the last sentence of the fourth paragraph on page 52, and the second to the last sentence on page 55. I found that Majliss Larson the author also intruded into her own story. She constantly footnotes Klingonese words, apparently lacking the skill to let us know what the words mean without telling us blatantly. Unfortunately, what might have been an interesting exploration of one possible Klingon Empire turned into the expected and the typical. If you're looking for an Imperial read, try "Final Reflection" instead.