Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site tymix.UUCP Path: utzoo!watmath!clyde!burl!ulysses!gamma!epsilon!zeta!sabre!petrus!bellcore!decvax!decwrl!glacier!oliveb!tymix!kanner From: kanner@tymix.UUCP (Herb Kanner) Newsgroups: net.rec.photo Subject: Re: Exposure compensation Message-ID: <615@tymix.UUCP> Date: Fri, 10-Jan-86 22:40:54 EST Article-I.D.: tymix.615 Posted: Fri Jan 10 22:40:54 1986 Date-Received: Mon, 13-Jan-86 08:05:03 EST References: <75@ttidcc.UUCP> Reply-To: kanner@tymix.UUCP (Herb Kanner) Organization: Tymnet Inc., Cupertino CA Lines: 24 In article <75@ttidcc.UUCP> ward@ttidcc.UUCP (Don Ward) writes: >The current issue of Popular Photography has an article wherein the >author recommends overexposing color negative film by 1/3 stop and >underexposing positive color film by 1/3 stop. The contention (for >negative film) is that the resulting negative will have better grain >structure, etc. If anybody has any observations about this I would >like to hear them. In particular, what I would like to know is if >there is a difference, at what approximate enlargement is the differ- >ence visible. I have personally directly or indirectly received this very same advice from independent professional sources about three times in the past six years, and have, in fact, been following it myself. The advantage was never claimed to be better grain structure; it was better color saturation. I will check out that issue of Popular Photography tomorrow and see what that author says. The basis for rating films is a bit arbitrary anyway. The only drawback I can see to this 1/3 stop bias is that you discard a bit of your margin for error. -- Herb Kanner Tymnet, Inc. ...!hplabs!oliveb!tymix!kanner