Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: $Revision: 1.6.2.14 $; site umn-cs.UUCP Path: utzoo!watmath!clyde!cbosgd!ihnp4!stolaf!mmm!umn-cs!davis From: davis@umn-cs.UUCP Newsgroups: net.rec.photo Subject: Re: 35mm Kodalith Film Message-ID: <12200003@umn-cs.UUCP> Date: Fri, 17-Jan-86 20:17:00 EST Article-I.D.: umn-cs.12200003 Posted: Fri Jan 17 20:17:00 1986 Date-Received: Mon, 20-Jan-86 04:27:46 EST References: <155@bsdpkh.UUCP> Lines: 42 Nf-ID: #R:bsdpkh:-15500:umn-cs:12200003:000:1818 Nf-From: umn-cs!davis Jan 17 19:17:00 1986 [] I have enjoyed using Kodalith for the past few years, but I must admit some of the enjoyment has come from the need to treat this film with tender loving care as far as exposure goes. Here is how I do it: 1. Set camera (or other) meter to 80 ASA 2. Meter exposure with gray card (ESSENTIAL!) at this setting 3. Add 6 stops to this: e.g. if metered reading is 2 sec at f/22, expose at 2 sec, f/2.8 However as 2.8 is wide open for my 105/2.8micro, I usually go for 8 sec at f/5.6 4. All this gives a starting point only. Plus lith exposures need to be within 1/3 stop accuracy, hence I bracket in at least 1/2 stop increments (1/3 stop settings are hard to set!), plus and minus 1.5 stops around this. Unfortunately, step 4 chews up film very fast, so for each lith session (in which I typically shoot 30 originals) I do this testing on a 10-exposure roll. Once the setting has been standardized, I use regular 36 exp rolls, but still bracket with two exposures of each orginal, about 1/2 stop apart. Hence, I find it useful to load bulk film into two sets of cassettes: one with 10, the other with 36. I find it necessary to re-standardize at every sesson because slight dimming of copy-lamps screws up the previous settings, and the film is very sensitive to the developer mixing accuracy, temperature and exhaution. (I use Kodalith AB developer.) I mix about a liter of the developer per session, which gives me 3 runs with my 300ml tank, and use the developer one-shot only. The other variables remain tolerably constant within one shooting session. It sounds painful (and sometimes is), but the results are always worth it! p.s. In a pinch (when I am out of lith film), I have used Tech Pan with D19 with fairly good high contrast results. Jay ARPA: scit003@umn-ucc-va.ARPA