Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!linus!philabs!cmcl2!seismo!rochester!ritcv!ccice5!ccivax!rb From: rb@ccivax.UUCP (rex ballard) Newsgroups: net.legal Subject: Re: copyrights to letters Message-ID: <385@ccivax.UUCP> Date: Mon, 10-Feb-86 19:33:57 EST Article-I.D.: ccivax.385 Posted: Mon Feb 10 19:33:57 1986 Date-Received: Fri, 14-Feb-86 05:52:46 EST References: <256@bambi.UUCP> Reply-To: rb@ccivax.UUCP (What's in a name ?) Distribution: net Organization: CCI Telephony Systems Group, Rochester NY Lines: 18 Often REGISTERED MAIL is used to secure a copyright. In this case, Each Item/Attachment is marked or stamped by the postal clerk. Normally Copyright notice should be included in this mailing. This package is sent to yourself and kept on file. This practice is very unpopular with the post office, but very popular with professions which want to copyright each work as an individual piece. This is a practice taught to scenic designers, who have a guild which only enforces copyrights documented in this way (Scenic Artists Guild). Registered Mail provides proof of publication, proof of publication date, and proof of copyright notice. I don't know about other fields, but in music and theater, you must be able to show proof of copyright even to place a work in public domain. Otherwise, someone else can go through the formalities of getting the work copyrighted and sue the original author, or file a claim through the appropriate guild, and collect for all 'freely distributed copies'. Particularly in scholastic theater, this has been known to happen (Student fails to copyright a work and a professional 'formally publishes and copyrights' the same work).