Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!watmath!clyde!cbosgd!gatech!ut-sally!utastro!anand From: anand@utastro.UUCP (Anand Sivaramakrishnan) Newsgroups: net.rec.photo Subject: Re: wildlife photography Message-ID: <322@utastro.UUCP> Date: Wed, 29-Jan-86 12:51:22 EST Article-I.D.: utastro.322 Posted: Wed Jan 29 12:51:22 1986 Date-Received: Sat, 1-Feb-86 01:14:51 EST Organization: U. Texas, Astronomy, Austin, TX Lines: 33 I have some second-hand advice for you. This comes from pro wildlife photographers in India... two of them, one the recognised 'dean of Indian wildlife photography', the other an occasional consultant for National Geographic. They told me that the longest lenses they use are of the order of 135 mm. They often shoot from hides, trees, bushes and other cover. Their furry and scaly subjects are from mongoose-size (weasel times 2 in linear dimension) to elephant. Birds are almost always shot from hides... even a tent will do, as long as the outline is not human, and internal movement is not visible from the outside. Sometimes it pays to occupy the hide before the subject arrives in the hides' vicinity (eg. stream, pool, meadow, bird-feeder). Their equipment is pretty limited on account of the need to move (and the health and age of one of them). One uses an SLR, the other uses a rangefinder. Tripods are often missing, because they may hinder the photographer in the event that a rapid escape is deemed wise. Also, treks tend to be quite long, and through thick growth at times. As an interesting aside, some animals (eg elephant) stand the slam of an SLR's shutter curtain but not the high-frequency of a leaf shutter. Hides are generally regarded as the best way to shoot, though sometimes one has to shoot under difficult circumstances: boats for waterfowl, elephant-back for tiger, on foot for chance shots. Of course, one cannot be sure of seeing tiger and elephant in the New World. Usually the engine of a vehicle that one is shooting from (if one is driving) must be switched off for a steady camera.