Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site utcsri.UUCP Path: utzoo!utcsri!hofbauer From: hofbauer@utcsri.UUCP (John Hofbauer) Newsgroups: net.rec.photo,net.columbia Subject: Re: What kind of film do the astronauts use? Message-ID: <2282@utcsri.UUCP> Date: Wed, 5-Mar-86 20:19:30 EST Article-I.D.: utcsri.2282 Posted: Wed Mar 5 20:19:30 1986 Date-Received: Wed, 5-Mar-86 20:21:31 EST References: <1086@decwrl.DEC.COM> <1972@peora.UUCP> <510@tekig4.UUCP> <2207@utcsri.UUCP> <14789@onfcanim.UUCP> Organization: CSRI, University of Toronto Lines: 16 > Second things first: It's 5247, and very commonly used in motion picture > work, and *not recommended* (by Kodak) for amateur use. In the first I wasn't recommending the use of 5247 for still photography. I just wanted to point out that so-called movie film will quite happily run through a still camera. > > would have been used in most IMAX filming in space. It couldn't even > be used for single-frame animation work, since it has no method for > accurately registering the film from frame to frame. Real movie cameras > Any camera could be used for single-frame animation *IF* the registration problem can be solved. I recall a NIKON F3 was used to do some of the special effects in INDIANA JONES AND THE TEMPLE OF DOOM. The problem of registration might be harder to solve on a 'blad, but in principle it could be done.