Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site ubc-cs.UUCP Path: utzoo!utcsri!ubc-vision!ubc-cs!manis From: manis@ubc-cs.UUCP (Vince Manis) Newsgroups: net.motss Subject: Re: Kudos to CBS/CTV Message-ID: <178@ubc-cs.UUCP> Date: Sun, 2-Mar-86 12:23:01 EST Article-I.D.: ubc-cs.178 Posted: Sun Mar 2 12:23:01 1986 Date-Received: Sun, 2-Mar-86 15:18:00 EST References: <173@ubc-cs.UUCP> <20@spdcc.UUCP> Reply-To: manis@ubc-cs.UUCP (Vince Manis) Organization: UBC Department of Computer Science Lines: 31 Keywords: Welcome Home, Bobby Summary: In his reply to my posting re "Welcome Home Bobby", Steve Dyer raises a couple of points with which I must disagree. First, Steve points to TV having "ruined" the portrayal of Bobby's relationship with an older man. The man is indeed not presented as a child molester, and Bobby indeed becomes involved with him of his own free will. Yet it becomes apparent in the movie that this relationship is not entirely beneficial to Bobby. Perhaps I'm just becoming an old fuddy-duddy, but I'm inclined to say I agree with the position the movie takes. It becomes apparent that Bobby comes from a troubled family, and has an (apparently) unsympathetic father. Bobby's lover (unconsciously) trades on that, and becomes in Bobby's mind the father he never had. The lover acts sometimes like a father, and sometimes like a lover. This can hardly be good for any adolescent, let alone one as confused as Bobby. (This has nothing to do with gender: I'd feel the same way about such a relationship if Bobby had been Bobbi). Regarding the closeted gay teacher who comes out to Bobby: I agree that this is unlikely. (But, then, so's the plot of Hamlet.) Nonetheless, I too was a closeted gay teacher ten years ago. I had a student who I should have come out to, but I didn't, for a number of obvious reasons (including the conservatism of the district in which I taught). Perhaps, no matter how unlikely the actual event, its depiction might cause some teachers to think carefully about their professional obligation to their students, and how that relates to coming out. Perhaps by the standards of film, "Welcome Home, Bobby" is not great art. Nonetheless, by the standards of an industry which has presented "My Mother the Car", "Gilligan's Island", and "Saturday Night Main Event", it's not half bad.