Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site ucdavis.UUCP Path: utzoo!lsuc!pesnta!pyramid!decwrl!amdcad!lll-crg!ucdavis!deneb!ccrrick From: ccrrick@ucdavis.UUCP (Rick Heli) Newsgroups: net.movies Subject: Re: The role of the film editor Message-ID: <182@ucdavis.UUCP> Date: Fri, 14-Feb-86 23:22:43 EST Article-I.D.: ucdavis.182 Posted: Fri Feb 14 23:22:43 1986 Date-Received: Sun, 16-Feb-86 10:52:36 EST References: <8935@ucla-cs.ARPA> Organization: University of California, Davis Lines: 24 > All the cutter had to do was to assemble the > scenes in the order the scenario specified. Cutting was originally viewed > as grunt work, little different than developing the film. > > Interestingly, unlike most technical jobs in the industry (leaving aside > obvious and easily explanable exceptions like hairdressing, makeup, and > costume design), editing proved to be a field open to women. Many of the > great editors of Hollywood's golden age were female. I've never heard > an adequate explanation for why sexism didn't reign in this field, but > we definitely benefitted in terms of the quality of editing. Editing is > still a fairly equalitarian field in the film business. (The next few > dozen films you see, count the number of female directors, cinematographers, > or producers. Unless you see very special films, you probably won't > need more than two or three fingers.) I would say that you have the answer yourself. Because it was considered menial work, men probably didn't think anything of employing women in such roles. Later, when the role of the editor changed, a tradition of male and female editors was already in place and not likely to change. -- --rick heli ... {ucbvax,lll-crg}!ucdavis!ccrrick