Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83 based; site hou2g.UUCP Path: utzoo!watmath!clyde!cbosgd!ihnp4!drutx!mtuxo!houxm!hou2g!scott From: scott@hou2g.UUCP (Mr. Berry) Newsgroups: net.comics Subject: Re: BLAST FROM THE PAST: Authors and Characters Message-ID: <828@hou2g.UUCP> Date: Fri, 21-Mar-86 08:06:35 EST Article-I.D.: hou2g.828 Posted: Fri Mar 21 08:06:35 1986 Date-Received: Sat, 22-Mar-86 21:56:57 EST References: <2833@reed.UUCP> Organization: The Hotel New Hampshire Lines: 17 It has long been my contention (based solely on X-Men--I hadn't read much other Clairmont at the time) that one of the main reasons I enjoyed the early-new (whew!) X-Men was the plotting. Once Byrne left the book (and the co-plotting), the plotting went downhill, and degenerated into more and more of the "Clairmont making a speech" type of story. The main reason I enjoy FF so much (especially earlier in Byrne's run), and the few Hulk issues he did, was the plotting. Conclusion: Clairmont can't plot (at least not consistently), which is why X-Men has gone downhill so much. All we're left with is soap opera. ========================================= "Uncle Dick, are any of the kids in your books named Mitch?" "Uh, actually, most of my characters tend to be hand tools." Scott J. Berry ihnp4!hou2g!scott