Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.PCS 1/10/84; site mtgzy.UUCP Path: utzoo!lsuc!pesnta!pyramid!decwrl!decvax!bellcore!ulysses!mhuxr!mhuxt!houxm!mtuxo!mtgzy!ecl From: ecl@mtgzy.UUCP (e.c.leeper) Newsgroups: net.movies Subject: Re: New and Novel Ideas in Film Message-ID: <1637@mtgzy.UUCP> Date: Thu, 6-Mar-86 09:45:32 EST Article-I.D.: mtgzy.1637 Posted: Thu Mar 6 09:45:32 1986 Date-Received: Sat, 8-Mar-86 14:48:33 EST References: <616@ihu1e.UUCP> Organization: AT&T Information Systems Labs, Middletown NJ Lines: 20 > >A book by Wells Root called "Writing the Script" says there are only about > >thirty-six basic dramatic situations and goes onto a list a few of them. > > Andy Warhol's > 'Watermellons' was a classic underground film. I doubt if you can find the > plot of 'Watermellons' as one of your standard "thirty-six" plots. Robert Heinlein once claimed there were three, count 'em, three plots: 1) boy meets girl 2) the little tailor 3) the man who learned better (He later added a fourth, which escapes me.) He's probably right. But, then, not every movie has a plot either. Evelyn C. Leeper ...ihnp4!mtgzz!ecl (or ihnp4!mtgzy!ecl)