Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site utcsri.UUCP Path: utzoo!utcsri!hofbauer From: hofbauer@utcsri.UUCP (John Hofbauer) Newsgroups: net.rec.photo Subject: Re: Flashes and telephoto lenses Message-ID: <2310@utcsri.UUCP> Date: Tue, 11-Mar-86 18:45:59 EST Article-I.D.: utcsri.2310 Posted: Tue Mar 11 18:45:59 1986 Date-Received: Tue, 11-Mar-86 19:47:31 EST References: <1587@watmath.UUCP> Distribution: net Organization: CSRI, University of Toronto Lines: 36 > I have heard that when using a flash and, say a 135mm lens you have to change > you f-stop to allow for the light loss through the extra glass. > I have also heard that f4.5 is f4.5 no matter which lens you use. > Not true, in principle. In practice, though, you may find it necessary to open up the lens further, but not because of the extra glass in the lens. Indeed, really long lenses (>400mm) may only have two or three elements. When using a flash in manual mode and calculating the exposure from first principles you may compute an incorrect f-stop because of violated assumptions. Flashes are rated by a Guide Number -- the higher the number, the more powerful the flash. This is not a very scientific measure but good enough in practice. The f-stop can be determined by dividing the Guide Number by the distance. The Guide Number, though, assumes a normal size room with average reflectance. Therefore if you shoot outdoors at night you should open up a stop or two to compensate for the lack of reflectance since the flash essentially becomes a point source of light. Another problem, which is more likely to arise with the use of telephoto lenses, is using the flash beyond its normal range. A flash can only deliver so much illumination and this, of course, is governed by the inverse square law. It never fails to amuse me to go to a grand outdoor event, such as a rock concert, and watch people popping off their flash cubes. It makes for a lovely light show but doesn't do the would-be snapshooters a bit of good. With a long lens you are likely photographing a subject which is farther away and so it may be necessary to open up the lens more to obtain a correct exposure. Underexposure is generally due to a combination of these two factors. P.S. I hope no one brings up the subject of T-stops.