Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!linus!philabs!cmcl2!harvard!think!mit-eddie!mit-vax!csdf From: csdf@mit-vax.UUCP (Charles Forsythe) Newsgroups: net.analog Subject: Re: Oversampling in CD players Message-ID: <334@mit-vax.UUCP> Date: Fri, 2-May-86 04:19:33 EDT Article-I.D.: mit-vax.334 Posted: Fri May 2 04:19:33 1986 Date-Received: Sun, 4-May-86 08:43:27 EDT References: <241@ur-tut.UUCP> <285@mit-vax.UUCP> <175@brl-sem.ARPA> Reply-To: csdf@mit-vax.UUCP (Charles Forsythe) Organization: MIT, Cambridge, MA Lines: 22 In article <175@brl-sem.ARPA> ron@brl-sem.ARPA (Ron Natalie ) writes: >> Every now and then, sombody comes up with some sort of interpolation >> scheme. These invariably warp the spectrum and therefore don't work. The >> point of oversampling is that you have "data to burn" so you can afford >> to miss a few samples here and there. >> >This is wrong. The only reason for oversampling (which is really not >really sampling many times but running the output D-to-A's at a higher >rate than the original sampled material) is because good digital filtering >is easier (read CHEAPER) than good analog filtering. Ron is right, I was in error. I was told later about how oversampling really works. The CD data is only sampled at ~40KHz. The important point is that oversampling is not some sort of linear interpolation but rather "upsampling". In upsampling, you insert 0's between samples and you get the same information with a higher bandwidth. This can then be filtered more easily ect. -- From the land of Chaldea. -Charles