Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!decvax!decwrl!ucbvax!buffalo.CSNET!colonel From: colonel@buffalo.CSNET.UUCP Newsgroups: mod.ai Subject: Re: Creativity and Analogy Message-ID: <8606180836.AA08496@ucbvax.Berkeley.EDU> Date: Mon, 16-Jun-86 16:56:06 EDT Article-I.D.: ucbvax.8606180836.AA08496 Posted: Mon Jun 16 16:56:06 1986 Date-Received: Fri, 20-Jun-86 00:02:45 EDT References: <8606120642.AA05437@ucbvax.Berkeley.EDU> Sender: daemon@ucbvax.BERKELEY.EDU Organization: The ARPA Internet Lines: 26 Approved: ailist@sri-ai.arpa This is a brief reply to U. Mukhopadhyay's article. > At a recent talk in Ann Arbor, Roger Schank observed/implied that > a distinct characteristic of many creative people is the ability to > analogize. [...] > Is this model of creativity--making interesting analogies--valid > across the spectrum of creative actvities, from the hard sciences > (Physics, Chemistry, etc.) to the fine arts (painting, music)? > Is there more to creativity than making interesting analogies? I am > inclined to believe that making interesting analogies is at the heart > of all intelligent activity that is described as creative. "Creativity" is often idealized as the missing ingredient in computer consciousness, but what exactly does it mean? In most of the examples drawn from science, it means advantageously overriding the usual categories and compartments, since categorizing and compartmentalizing knowledge are characteristically scientific habits. Of course, making analogies is one way to achieve this. In art, creativity is much more straightforward! One creates a work of art where there was none before. The essence of this kind of creativity is to be able to perceive what _is not._ This follows in an essential way from the ability to perceive what one is taking for granted, in order to stop taking it for granted. A good reference is F. Perls et al., _Gestalt Therapy._