Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!mnetor!seismo!lll-crg!nike!ucbcad!ucbvax!jade!topaz!newton2 From: newton2@topaz.berkeley.edu Newsgroups: net.audio,net.analog Subject: Re: Amp designs (Peter Walker of QUAD) Message-ID: <1191@jade.BERKELEY.EDU> Date: Fri, 29-Aug-86 03:02:47 EDT Article-I.D.: jade.1191 Posted: Fri Aug 29 03:02:47 1986 Date-Received: Fri, 29-Aug-86 19:44:19 EDT References: <7773@watlion.UUCP> <3376@jhunix.UUCP> <580@mhuxm.UUCP> <1257@uwmcsd1.UUCP> <581@mhuxm.UUCP> <1569@vax135.UUCP> Sender: usenet@jade.BERKELEY.EDU Reply-To: newton2@topaz.berkeley.edu.UUCP (Doug Maisel) Organization: University of California, Berkeley Lines: 21 Xref: mnetor net.audio:2426 net.analog:846 I will endorse Dave Horn's comment that Peter Walker of the Acoustic Manufact- uring Co. (Quad) has an excellent reputation (is his name Walker? All I remember is the company). During a period of more-than-usually obsequious sycophancy, I asked Ray Dolby if there was anyone in the audio world whose commercial style he admired in the same way that I found *his* approach admirable. Without hesitation he mentioned Peter Walker[?] (we had already agreed on Henry Kloss), but couldn't seem to think of anyone else (like Ike when asked to list a single achievement of Richard Nixon as Veep, I'm sure if I'd given him a week he'd have thought of one.) As to why I found (still find) Ray Dolby a bird so rare in the commercial audio aviary, if you have to ask... ...I guess I'll have to expatiate, later. Doug Maisel (415) 848-5247 56 Panoramic Way Berkeley, CA 94704