Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!decvax!tektronix!hplabs!qantel!lll-lcc!lll-crg!rutgers!husc6!endor!sasaki From: sasaki@endor.UUCP Newsgroups: net.audio Subject: Re: Absolute phase Message-ID: <511@husc6.HARVARD.EDU> Date: Wed, 22-Oct-86 23:27:46 EDT Article-I.D.: husc6.511 Posted: Wed Oct 22 23:27:46 1986 Date-Received: Fri, 24-Oct-86 04:27:13 EDT References: <1228@houxa.UUCP> <1366@uwmcsd1.UUCP> <1076@genrad.UUCP> <1371@uwmcsd1.UUCP> <1842@tekgvs.UUCP> Sender: news@husc6.HARVARD.EDU Reply-To: sasaki@endor.UUCP (Marty Sasaki) Distribution: na Organization: Strategic Information Lines: 26 A friend of mine did some psycho-acoustic tests and it was easy to tell the difference with hand claps and human voice, and almost impossible with musical instruments that included strings, reeds, and horns. The tests weren't exactly double blind, my friend made a tape where pairs of test sounds were recorded with about 5 seconds of silence between. The order of the sounds was determined by a dice throw and my friend tried hard to make everything else equal. Everyone listened to the same tape, alone in the testing room. We were told to mark on a sheet of paper whether the sounds were the same or were different. I'm sure that there were some biases introduced, but the test was pretty good. As for whether the results of the experiment have any bearing on music heard on audio system, I can't say, and don't want to get flamed for an opinion either way. I just present this information as an indication that you can tell the difference in absolute phase under (highly artificial) test conditions. ---------------- Marty Sasaki uucp: harvard!sasaki Strategic Information arpa: sasaki@harvard.harvard.edu 80 Blanchard Road bitnet: sasaki@harvunxh Burlington, MA 01803 phone: 617-273-5500