Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!mnetor!seismo!ll-xn!mit-eddie!lmi-angel.UUCP!rpk From: rpk@lmi-angel.UUCP (Bob Krajewski) Newsgroups: mod.music.gaffa Subject: Neu!, Woodentops Message-ID: <8610281916.AA11576@lmi-angel.ARPA> Date: Tue, 28-Oct-86 14:16:16 EST Article-I.D.: lmi-ange.8610281916.AA11576 Posted: Tue Oct 28 14:16:16 1986 Date-Received: Tue, 28-Oct-86 21:36:54 EST Sender: uucp@mit-eddie.MIT.EDU Organization: Love-Hounds Anonymous Lines: 34 Approved: nessus.mit.edu * Neu! I don't think you need cannabis to enjoy Neu. I heard some of their stuff about three or four years ago and have been scouring the record stores for it ever since. A month ago, in London, I finally picked up a Neu compilation (didn't they put out just two albums ?) called _Black Forest Gateau_ on the British Cherry Red label -- the date of issue was 1981. There's a blurb on the back about the group's history, including the link to early Kraftwerk. Neu!'s music could be called ``spacy,'' but it's very basic. Simple synth and guitar lines waft over a steady rhythm section (the kind you hear on a lot of Conny Plank productions). Sometimes there are other noises like a really pumped wah-pedal (on _Hallogallo_) or tortured, distorted guitar chords routed through equally tortured mechanical reverb (_Negativland_). So call it Teutonic groove. * Woodentops Umm, I *like* the new 12" (Everyday Living/Why). I haven't heard the new album, but trusted sources say that they've lessened their attack and become more ``accessible.'' Sounds like what XTC did on Black Sea, though XTC's compromises still rule over any AOR/progressive/CHR and quite a bit of the gnarly. You've got to wonder, though, why this sort of thing happens: * Insecurity: Group likes the idea of fun pop but feels they've too far out there to reach their intended audience. * Big Bad Record Company: Rough Trade ?? CBS yes, but I don't think the Woodentops are that high up their list... * Change: Maybe they want to sound that way. It happens, y'know. I don't think Sherwood produced the album. He did remix the 12" A-side.