Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!decvax!ucbvax!EDDIE.MIT.EDU!Love-Hounds-request From: Love-Hounds-request@EDDIE.MIT.EDU.UUCP Newsgroups: mod.music.gaffa Subject: Re: Vocal range Message-ID: <8701102348.AA12277@EDDIE.MIT.EDU> Date: Sat, 10-Jan-87 18:45:00 EST Article-I.D.: EDDIE.8701102348.AA12277 Posted: Sat Jan 10 18:45:00 1987 Date-Received: Sat, 10-Jan-87 21:36:29 EST Sender: daemon@ucbvax.BERKELEY.EDU Reply-To: Love-Hounds@EDDIE.MIT.EDU Organization: The ARPA Internet Lines: 21 Approved: love-hounds@eddie.mit.edu Really-From: IED0DXM%UCLAMVS.BITNET@WISCVM.WISC.EDU Dave Rickel may have a vocal range of two octaves. Kate Bush definitely has a much wider range than that. How on earth did you come up with a range of only two octaves for Kate? Hell, even I can span three octaves and a note or two beyond, and I is DEFINITELY no singer. As far as I knows, Kate's highest note is heard on "Don't Put Your Foot on the Heart Brake", from Lionheart. The passage in question is a background vocal in which she sings "She's losing, she's losing, she's losing, she's losing..." As posted earlier, her lowest note may be heard on the lowest vocal harmony track of the twelve-inch version of "Running Up That Hill", during the extended "C'mon, c'mon baby" passage. The difference between these notes is definitely more than two octaves, but the ease and clarity with which Kate sings the high notes on "Heart Brake" indicate that she is capable of singing a good deal higher, albeit perhaps not so beautifully or with sufficient control. -- Andrew Marvick