Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!watmath!clyde!cbatt!ucbvax!EDDIE.MIT.EDU!Love-Hounds-request From: Love-Hounds-request@EDDIE.MIT.EDU.UUCP Newsgroups: mod.music.gaffa Subject: Eno and discrete arguments Message-ID: <8702191411.AA20344@EDDIE.MIT.EDU> Date: Thu, 19-Feb-87 09:11:41 EST Article-I.D.: EDDIE.8702191411.AA20344 Posted: Thu Feb 19 09:11:41 1987 Date-Received: Fri, 20-Feb-87 06:40:34 EST Sender: daemon@ucbvax.BERKELEY.EDU Reply-To: Love-Hounds@EDDIE.MIT.EDU Organization: The ARPA Internet Lines: 15 Approved: love-hounds@eddie.mit.edu Really-From: nessus (Doug Alan) > [Rob Rosen:] I merely stated that what others often mistake as > intentional non-craftedness (excuse the clumsiness of the > expression) is actually constructed carefully to give just that > impression, and that Eno often constructs his music with that goal > in mind; he has often issued statements to this effect in interviews > and written essays. So, you're accusing Eno of lying on his liner notes for *Discrete Music*, where he explicitly states that the album was an exercise in setting up a system and then letting it run with the tape recorder going and no further intervention on his part? |>oug