Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!mnetor!seismo!husc6!mit-eddie!genrad!decvax!decwrl!pyramid!prls!philabs!micomvax!onfcanim!dave From: dave@onfcanim.UUCP (Dave Martindale) Newsgroups: comp.graphics Subject: Re: Mixing computer and video signals Message-ID: <15342@onfcanim.UUCP> Date: Tue, 23-Jun-87 21:41:09 EDT Article-I.D.: onfcanim.15342 Posted: Tue Jun 23 21:41:09 1987 Date-Received: Sat, 27-Jun-87 04:48:41 EDT References: <173@mv06.ecf.toronto.edu> <3119@eagle.ukc.ac.uk> <804@puff.WISC.EDU> Reply-To: dave@onfcanim.UUCP (Dave Martindale) Organization: National Film Board / Office national du film, Montreal Lines: 32 In article <804@puff.WISC.EDU> upl@puff.WISC.EDU (Future Unix Gurus) writes: > >By the way, a good professional studio should be able to genlock itself to >the NTSC out from yor computer, thus you could use the studio's chroma >key to build the images you want. Using decent studio equiptment has some >real advantages in terms of control and flexability, if you can afford it. > >Jeff Kesselman This is *not* true in general (in fact, I don't know of any frame buffer/ workstation for which it is true). The problem is that, though your frame buffer may generate video that matches the NTSC timing parameters, it is RGB video, not NTSC. A studio's sync generator will indeed lock its own sync to the computer's sync, but there is no colour subcarrier coming out of the computer for the studio's sync generator to lock to. Thus colour subcarrier phase will wander randomly with respect to sync. (I know of no sync generator that will lock its *subcarrier* output to a video input that contains only sync.) This produces a signal which is good enough to record on some recorders, but it does not meet broadcast standards, and can't be used for single-frame recording on 1 inch machines. The only way to get broadcast-quality video is to have the subcarrier and sync generated within the same piece of equipment, generally divided down from the same oscillator. The normal way of doing this is to use a studio sync generator as the master timing source, and slave the computer's video to sync from the sync generator (this is what the genlock option of the computer does). It could also be done by having the computer generate a subcarrier signal, but I've never seen it done that way.