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From: rupp@cod.UUCP (William L. Rupp)
Newsgroups: rec.music.misc,rec.music.classical,rec.music.folk,rec.music.makers,rec.misc,news.misc
Subject: Re: Jazz Mailing List Announcement
Message-ID: <814@cod.UUCP>
Date: Thu, 3-Sep-87 11:42:48 EDT
Article-I.D.: cod.814
Posted: Thu Sep  3 11:42:48 1987
Date-Received: Sat, 5-Sep-87 11:04:53 EDT
References: <7917@shemp.UCLA.EDU> <3306@sdcc6.ucsd.EDU> <810@cod.UUCP> <27108@sun.uucp>
Reply-To: rupp@cod.nosc.mil.UUCP (William L. Rupp)
Organization: Computer Sciences Corp., San Diego
Lines: 17
Keywords: Tabackin/Horn/Quicke crowd versus hard-bopping flutists
Xref: mnetor rec.music.misc:5723 rec.music.classical:1103 rec.music.folk:607 rec.music.makers:801 rec.misc:392 news.misc:888

Well, I am only a long-time (since junior high school in mid-fifties)
fan, not a jazz expert, so I accept your comments on the West Coast
crowd as worthy of consideration.  I know that the early fifties Gerry
Mulligan, Shorty Rogers, Dave Bruebeck, Chet Baker approach to jazz is
not highly thought of in many quarters, but it's one of my favorites.

Hey, didn't Miles start the cool school ("Birth of the Cool", Capitol
Jazz Classics, recorded 1949-50)?

I still stand by my statement on Tabackin.  He is surely the best on
either instrument I have ever heard in person.  Of course, this is
largely a matter of taste.

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I speak for myself, and not on behalf of any other person or organization
.........................How's that, Gary?
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