Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!mnetor!uunet!husc6!rutgers!gatech!hubcap!ncrcae!ncr-sd!hp-sdd!hplabs!hpda!hpesoc1!hpindda!seshadri From: seshadri@hpindda.HP.COM (Raghu Seshadri) Newsgroups: sci.philosophy.tech Subject: Re: The nature of communication Message-ID: <4750001@hpindda.HP.COM> Date: Mon, 21-Sep-87 18:54:46 EDT Article-I.D.: hpindda.4750001 Posted: Mon Sep 21 18:54:46 1987 Date-Received: Thu, 24-Sep-87 06:27:12 EDT References: <2374@mmintl.UUCP> Organization: Hewlett Packard, Cupertino Lines: 20 >/ hpindda:sci.philosophy.tech / myers@tybalt.caltech.edu (Bob Myers) / 12:18 am Sep 21, 1987 / >I think music is, in some sense, made up of symbols, which are musical >structures. If you ask me just what they symbolize, I'm going to have >a really hard time answering that, though. I think the problem arises >because music symbolizes feelings, states of mind, etc., things which >are not readily translatable into written language, and in ways that >written language just cannot. Which is why they are expressed in >music to begin with. It seems to me that if music were made up of symbols (which,by definition merely stand for something else ) , we should be able to redefine the symbology and arrive at the same psychological reactions through any set of combinations of these symbols. But , in practice , this hardly happens. " The language of music knows no boundaries". In other words, these sound - sets already seem to have a predefined meaning in our minds and are capable of evoking precise moods. Without overstating this, in some sense, it must be hardwired in our mental make-up. RS