Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!mnetor!uunet!husc6!rutgers!labrea!decwrl!pyramid!thirdi!sarge From: sarge@thirdi.UUCP (Sarge Gerbode) Newsgroups: sci.philosophy.tech Subject: Re: The nature of communication Message-ID: <191@thirdi.UUCP> Date: Wed, 23-Sep-87 00:55:16 EDT Article-I.D.: thirdi.191 Posted: Wed Sep 23 00:55:16 1987 Date-Received: Fri, 25-Sep-87 07:21:26 EDT References: <2374@mmintl.UUCP> <4750001@hpindda.HP.COM> Reply-To: sarge@thirdi.UUCP (Sarge Gerbode) Organization: Institute for Research in Metapsychology Lines: 20 Keywords: music emotion symbols Summary: Response to music = cultural firmware? In article <4750001@hpindda.HP.COM> seshadri@hpindda.HP.COM (Raghu Seshadri) writes: >The language of music knows no boundaries". In other words, >these sound - sets already seem to have a predefined meaning in our >minds and are capable of evoking precise moods. Without overstating >this, in some sense, it must be hardwired in our mental make-up. I think there is also "software" involved, surely. A Western repsponse to eastern music is surely different, emotionally and in other ways, from an Eastern response to the same music. Maybe it is sort of in between -- cultural "firmware"? -- "Absolute knowledge means never having to change your mind." Sarge Gerbode Institute for Research in Metapsychology 950 Guinda St. Palo Alto, CA 94301 UUCP: pyramid!thirdi!sarge