Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!mnetor!uunet!husc6!rutgers!gatech!hubcap!ncrcae!ncr-sd!ncrlnk!ncrday!seradg!bryan From: bryan@seradg.Dayton.NCR.COM (Bryan Klopfenstein) Newsgroups: sci.philosophy.tech Subject: Re: The nature of communication Message-ID: <819@seradg.Dayton.NCR.COM> Date: Thu, 24-Sep-87 11:20:17 EDT Article-I.D.: seradg.819 Posted: Thu Sep 24 11:20:17 1987 Date-Received: Sat, 26-Sep-87 17:10:33 EDT References: <2374@mmintl.UUCP> <4750001@hpindda.HP.COM> <354@su-russell.ARPA> Organization: SE-Retail Advanced Development, NCR Corp, Dayton Lines: 27 Summary: music as symbolic Forgive me if the reference is inaccurate -- I do not remember the appropriate articles to reference. Also, I am unable to quote previous articles for the above reason. This is a problem with being new to the net. It is sure to resolve with experience. Anyway... Music is definitely symbolic. A piece of music evokes a certain feeling consistently. As stated in previous articles by others, the structure of the music itself is what contains the symbolism. I fail to see, as someone appeared to imply, that symbols in one language (ie. music) must necessarily be translatable into another language (ie. written english). If this were the case, what would be the need (or desire) for both languages, since one serves the purpose successfully? From the desk of : Bryan Klopfenstein NCR Corporation Dayton OH Note: These opinions have nothing to do with my employers and may not even reflect my thoughts...