Path: utzoo!hoptoad!amdcad!amdahl!ames!aurora!agate!ig!uwmcsd1!uwvax!astroatc!gtaylor From: gtaylor@astroatc.UUCP (One Cointreau, please. On ice.) Newsgroups: alt.cyberpunk Subject: Why and How we pick cyberpunk music. Message-ID: <799@astroatc.UUCP> Date: 3 Feb 88 20:52:27 GMT References: <2727@bloom-beacon.MIT.EDU> <1630@phoenix.Princeton.EDU> Reply-To: gtaylor@astroatc.UUCP (One Cointreau, please. On ice.) Organization: the Institute for Postmodern Recombinance Lines: 36 In article <1630@phoenix.Princeton.EDU> tom@phoenix.Princeton.EDU (Thomas C Hajdu) writes: >and on top of that Holst with Mozart and Beethoven!!! What a joke! It shouldn't be much of a surprise to anyone that when net posters decide on proper music, they're merely engaging in a little projection, imagining themselves as big, bad cyberweenies. Harmless enough, but one could rather as easily have simply posted "What's your favorite music, oh persons who read cyberpunk?" or "What subset of what you listen to could you imagine as soundtrack music for the movie?" Heck, only the little interchange about the relationship between media control and the music of the cyber punk future was even close to the real issue [that is, take a fictional world on its own *internal* terms and extrapolate the detritus of a popular culture from it], and even that was tainted by a hint of optimism on the part of the perfectable reader who talked about the explosion of interesting music rather than the increased *volume* of work without a kind of cultural screen or grid that the current homogenous marketplace provides...it was a kind of argument about music in *this* modern world and how nice one feels about it rather than what's on the radio-if one exists-in Chibatown. For my money, it'd be disposable and not really there at all in any sense but that of a virtual construct. Not owned, not credited, and ever present as a way to delineate the tiny warrens where noodle vendor engages in audio war with the artillery rental next door. No one gives a shit who makes it, and it's unlikely that anyone ever asks unless it functions as a kind of initiation or currency. Why are we so quick to assume that the future is a hybrid of Stanley Kubrick/Max Headroom/Tron/Diety knows who else instead of something derived from the text? Because we really invented this newsgroup to project our weeniedreaming out into the aethers? Or because we were looking at a kind of writing and the ideas that stand behind and in front of it? -- the reach of the arm. Gregory Taylor Astronautics the sweep of the eye. 5800 Cottage Grove Rd. Madison the stones thrown at the darkness WI 53704 608-221-9001,x232a outside the fire's circle of light. ...uwvax!astroatc!gtaylor