Path: utzoo!utgpu!water!watmath!clyde!bellcore!decvax!decwrl!labrea!aurora!amelia!ames!ll-xn!mit-eddie!uw-beaver!cornell!batcomputer!itsgw!imagine!pawl8.pawl.rpi.edu!kudla
From: kudla@pawl8.pawl.rpi.edu (Robert J. Kudla)
Newsgroups: comp.sys.amiga
Subject: Re: stereo sound (and Dynamic Drums)
Keywords: sound channel allocation MIDI
Message-ID: <355@imagine.PAWL.RPI.EDU>
Date: 10 Feb 88 15:16:14 GMT
References: <5899@utcsri.UUCP> <2793@masscomp.UUCP> <1445@sugar.UUCP>
Sender: news@imagine.PAWL.RPI.EDU
Reply-To: kudla@pawl8.pawl.rpi.edu (Robert J. Kudla)
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Organization: RPI Public Access Workstation Lab - Troy, NY
Lines: 22

In article <1445@sugar.UUCP> ssd@sugar.UUCP (Scott Denham) writes:
>The effect in DMCS is rather like over-done 70's acid rock mixing!!! 
>  
Hey, that's not nice! I prefer to think it's like overdone 80's dance
rock mixing! :)

In any case, I intend to use my Amiga as an almost-professional sequencer and
maybe as an extra digital synth, and as such, I'll be using it in mono
anyway. After all, mixing is the mixer's job, not the Amy's!

Just the same, I'll have to procure a copy of Sonix.

Oh, and anyone know of the easiest way possible to use my Amy as a
MIDI synth and a sequencer at the same time?? Thanks.

 

   ------------Robert J. Kudla - Pseudo-Freshman Extraordinaire-------------
   Screw the disclaimers- flame at will!!                Itt@RPITSMTS.BITNET
   And you may ask yourself- How do I work this?      FU7Z%mts@itsgw.rpi.edu
             (I sure as hell do...)                       kudla@pawl.rpi.edu
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