Xref: utzoo comp.sys.mac:21924 rec.music.synth:4940 Path: utzoo!utgpu!water!watmath!clyde!att!osu-cis!tut.cis.ohio-state.edu!mailrus!ames!pasteur!ucbvax!dewey.soe.berkeley.edu!oster From: oster@dewey.soe.berkeley.edu (David Phillip Oster) Newsgroups: comp.sys.mac,rec.music.synth Subject: Re: Concertware+MIDI vs. DMCS V2.0 Message-ID: <26529@ucbvax.BERKELEY.EDU> Date: 23 Oct 88 00:48:03 GMT References: <1456@kodak.UUCP> <40717@yale-celray.yale.UUCP> Sender: usenet@ucbvax.BERKELEY.EDU Reply-To: oster@dewey.soe.berkeley.edu.UUCP (David Phillip Oster) Followup-To: comp.sys.mac Organization: School of Education, UC-Berkeley Lines: 13 I'm not an owner of ConcertWare, so I can't speak for it. DMCS v2.0 has a step-time entry mode: you play at 4 times slower than real speed, and the notes go into the file. No expression, no nothing. DMCS is good for playing sheet music over MIDI. (Once you've moused it into it.) It is pretty good for printing, though it has its little ways. What you want is sequencer software, such as Master Tracks Pro. The metaphor here is more a tape recorder than a piece of sheet music. This is software designed to capture the nuances of performance. --- David Phillip Oster --When you asked me to live in sin with you Arpa: oster@dewey.soe.berkeley.edu --I didn't know you meant sloth. Uucp: {uwvax,decvax,ihnp4}!ucbvax!oster%dewey.soe.berkeley.edu