Xref: utzoo news.sysadmin:1427 comp.protocols.tcp-ip:5316 Path: utzoo!utgpu!watmath!clyde!att!osu-cis!tut.cis.ohio-state.edu!mailrus!ames!pacbell!rtech!gonzo!daveb From: daveb@gonzo.UUCP (Dave Brower) Newsgroups: news.sysadmin,comp.protocols.tcp-ip Subject: SF columnist on the Worm, suggests new terminology. Message-ID: <457@gonzo.UUCP> Date: 12 Nov 88 17:42:04 GMT Reply-To: daveb@gonzo.UUCP (Dave Brower) Organization: Gonzo Media Group Lines: 164 Jon Carrol's Wednesday column in the SF Chronicle is an interesting example of the level of "popular journalism". It gyrates wildly between keen insight and gross misinterpretation, arriving at something near a balanced perspective. It does suggests a metaphor for these events, in the spirit of the tcp-ip swamp: The worm "frogged" the Internet. We could refer to painfully visible spelunking as "frogging". -dB ---------------- "Random Thoughts About the Worm" As faithful followers of the media and the hypermedia are already aware, a computer "worm" infected numerous extremely large computer systems around the country last week. The worm's name was ":sed '1,l$/d':/bin/sh," or "sh" to its friends. It did no real damage, but it did eat up an enormous amount of column inches and TV air time. In conversations with people who know more about computers and worms that I do (approximately half the known world), the following facts and/or plausible opinions have emerged. 1. The difference between a worm and a virus is similar to the difference between a common cold and brain cancer. A worm does not eat up or change existing cells; it just fills up empty information cavities with disgusting gunk. 2. Interestingly, there is no direct cybernetic evidence that Robert Morse Jr. is the worm-master. Computer technology being what it is, the "telltale files" could have been planted by anyone, including Barry Manilow. I make no accusations here; I merely note the possibility. 3. What allowed the worm to enter the systsems was a programming structure called a "trapdoor," which is a device built into a computer system that allows the very smartest people to move more quickly through the system than the ordinary user. Such holes exists in virtually every system, including the ones that allow you to withdraw $100 on Saturday and the ones that launch large pizzas at Leningrad. 4. WHATEVER ITS CAUSES, the Worm Event was essentially a benign occurance. Given the sophistication of the worm program, it is easily possible that the worm master could have introduced a curious anomaly into, say FedWire, which is responsible for transferring $500 billion (think: half-a-trill) around the planet each and every day. 5. It is an interesting question, not yet decided, whether members of the affected networks (like the University of California) could sue UNIX (from whom they bought the program with the trapdoor that let the worm begin to burrow) for lost revenues. Although there is no case law on the matter, there is also no reason why not. 6. It is necessary to make a distinction beween "hackers" (who are simply people who understand computers very well and are unwilling to accept authoritarian definitions of what they should do with their knowledge) and "crackers," who invade extant computer system with malign intent. It seems probable that the worm-master was a hacker. To blame him (or, possibly her) for the trapdoor is like blaming Cassandra for the fall of Troy. 7. THE MOST IMPORTANT thing to understand is that computer programming is an extremeley intense art form. It is also a scientific discipline, but its addictive fascination lies in its creative component. Creating a truly innovative program is (for the artist) exactly like painting the roof of the Sistine Chapel. Therefore, the hole that the worm went through may bee seen (in aesthetic terms) as a big blank piece between the figure of Adam and the figure of God on said ceiling. The hacker/artist saw the hole and said, "I'll bet the original artist meant for the two hands to be touching there. How stupid of him to have forgotten to put that in." So the angry artist, upset at the unlovely disunity, decides to draw a big frog between God and Adam. "This," he says to himself, "will probably call attention to the problem." - Jon Carrol