Path: utzoo!utgpu!jarvis.csri.toronto.edu!mailrus!csd4.milw.wisc.edu!uxc!deimos.cis.ksu.edu!rutgers!att!mtuxo!lzfme!jwi From: jwi@lzfme.att.com (Jim Winer @ AT&T, Middletown, NJ) Newsgroups: comp.graphics Subject: Re: Expanding your camera's dynamic range Summary: Internal adjustment on professional cameras Message-ID: <1326@lzfme.att.com> Date: 9 May 89 17:11:24 GMT References: <3113@tank.uchicago.edu> Organization: AT&T, Lincroft NJ Lines: 29 In article <3113@tank.uchicago.edu>, james@rover.bsd.uchicago.edu writes: > > I have a problem, in that I am digitizing x-ray films with ... > a ccd camera. ... Many problems of local > contrast enhancement and noise can be addressed by image processing methods, > but the overall contrast range is limited by my camera and digitizer (8 bits). > > James Balter On industrial ($1,500 up) and broadcast cameras ($15,000 up) there is an internal adjustment that is used to set the signal level. You can adjust the black level (knee at 7.5 IRE units?) and the maximum white level. Thus, you can set the dynamic range to match your needs exactly. You will also need a waveform monitor to set these levels properly. Unfortunately, I don't remember exactly which controls are used. I suggest that you contact your nearest (see yellow pages) professional/industrial dealer for Sony, Panasonic, JVC or Ikegami. (Note that some dealers are _box houses_ and some actually know something. A consumer dealer will be of no use as these controls are not present on consumer equipment.) Jim Winer ..!lzfme!jwi I believe in absolute freedom of the press. Pax Probiscus! Please do not email anything that requires a response outside AT&T. I receive email okay, but can rarely send a reply sucessfully. The opinions expressed here are not necessarily Those persons who advocate censorship offend my religion.