Xref: utzoo comp.dsp:390 rec.music.synth:10365 Path: utzoo!attcan!utgpu!jarvis.csri.toronto.edu!cs.utexas.edu!usc!brutus.cs.uiuc.edu!apple!oliveb!orc!mipos3!td2cad!raino From: raino@td2cad.intel.com (Rodger Raino) Newsgroups: comp.dsp,rec.music.synth Subject: Re: FM synthesis Message-ID: <2706@td2cad.intel.com> Date: 14 Dec 89 03:05:14 GMT References: <4486@ur-cc.UUCP> Reply-To: raino@td2cad.UUCP (Rodger Raino) Organization: Intel TD, Santa Clara CA Lines: 18 In article <4486@ur-cc.UUCP> boris@prodigal.psych.rochester.edu (Boris Goldowsky) writes: >I'm looking for a recommendation for an introductory article or book >on FM synthesis. I know almost nothing about it, but have been >playing with a friends synthesizer and would like to learn more about >the theory and practice. I'm not scared by math and know some >physics/acoustics. Try FM THEORY & APPLICATIONS BY MUSICIANS FOR MUSICIANS by Dr. John Chowning and David Bristow published by YAMAHA rodger -- . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "I'm looking into an eye. The eye's looking at me." Of course no one else is responsible for this. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .