Path: utzoo!utgpu!jarvis.csri.toronto.edu!clyde.concordia.ca!uunet!snorkelwacker!mit-eddie!ATHENA.MIT.EDU!nessus@ATHENA.MIT.EDU
From: nessus@ATHENA.MIT.EDU (Doug Alan)
Newsgroups: rec.music.gaffa
Subject: Re: Hounds of Love Questions....
Message-ID: <9001082009.AA17764@GAFFA.MIT.EDU>
Date: 8 Jan 90 20:09:00 GMT
References: <1990Jan2.160414.8325@agate.berkeley.edu>
Sender: nessus@GAFFA.MIT.EDU
Reply-To: Doug Alan <nessus@athena.mit.edu>
Organization: MIT
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Approved: nessus@eddie.mit.edu

> 1) Why are Werner Herzog and Terry Gilliam given thanks in the
> album's credits?

Kate likes both of their works.  Especially "Brazil" and "Nosferatu".
Kate borrowed some music from Werner Herzog's movie "Nosferatu" and
used it in her song, "Hello Earth".

> 3) Anyone else notice a strong similarity in sound and technique
> between  'Waking the Witch' (truly a striking song) and the stuff on 
> the Eno/Byrne album 'My Life in the  Bush of Ghosts' (particularly
> the rather frightening  'Jezebel Spirit')?

I love both albums.  I don't notice any similarity, however.

|>oug

"Z is for ZILLAH who drank too much gin"