Path: utzoo!attcan!uunet!tut.cis.ohio-state.edu!snorkelwacker!mit-eddie!IUVAX.CS.INDIANA.EDU!root@IUVAX.CS.INDIANA.EDU From: root@IUVAX.CS.INDIANA.EDU (Boss Tweed) Newsgroups: rec.music.gaffa Subject: Submission for rec-music-gaffa Message-ID: <9002132156.AA18438@rutgers.edu> Date: 13 Feb 90 21:56:06 GMT Sender: daemon@eddie.mit.edu (Mr Background) Organization: Love-Hounds Anonymous Lines: 32 Approved: nessus@eddie.mit.edu Path: iuvax!silver!jburka From: jburka@silver.ucs.indiana.edu (Jeffrey C. Burka) Newsgroups: rec.music.gaffa Subject: Re: TSW Message-ID: <35727@iuvax.cs.indiana.edu> Date: 13 Feb 90 21:56:05 GMT References: <52159@bbn.COM> Sender: root@iuvax.cs.indiana.edu Reply-To: jburka@silver.ucs.indiana.edu (Jeffrey C. Burka) Organization: Indiana University, Bloomington Lines: 20 In article <52159@bbn.COM> Liz Bonesteel writes: > >I wonder what happened to KaTe's little streak of weirdness. > >TSW is a great album. But it's too ordinary to be a great KaTe album. Hmm. Strange. I, too, find a surprising disparity between HoL and TSW (though I love both). But this is more a different style of music and voicing. I'm surprised that you don't see a streak of weirdness on TSW. I remember being utterly shocked by Rocket's Tail the first time I heard it... related (thanks to the Trio Bulgarka) is Deeper Understanding. While the "weirdness" may take a different form from that on HoL, I tend to attribute it to artistic progression rather than anything else. Jeff "And dressed as a rocket on Waterloo bridge Nobody seems to see me"